The renowned Mexican conceptual artist Eduardo Quiñones established contact with the Art21Studio team to propose a collaboration on one of his works. The project aimed to integrate three fundamental elements: first, a polychrome wooden altarpiece carving representing the “Jesus Sacred Heart” a piece of significant historical and artistic value; second, the artist’s own face; and third, the inclusion of a text reading “Narcissus Maximus” which adds a conceptual and symbolic dimension to the composition.

Given the age and fragility of wooden carving, the possibility of using traditional molding techniques was immediately dismissed, as these entailed significant risks of irreparable damage to the original artwork. In response to this challenge, a three-dimensional digitization (3D scanning) of the carving was chosen, thus preserving every detail without compromising the physical integrity of the piece. At the same time, a complete 3D scan of Eduardo Quiñones’s head was performed, faithfully capturing his features and expressions for subsequent integration into the sculptural ensemble.

During the digital post-production phase, advanced modeling software such as ZBrush and Rhino were used to merge the two three-dimensional meshes obtained from the scans. This process involved not only the technical joining of the files but also a meticulous effort in remodeling and editing details, perfecting the visual and conceptual harmony of the resulting new figure. Special attention was paid to adapting proportions, textures, and transitions between elements, ensuring a cohesive and aesthetically relevant outcome.

Once the digital retouching stage was completed, the physical model materialized through 3D printing, resulting in a piece approximately 50 cm in height. On this print, the Art21Studio team carried out a series of additional interventions: the text “Narcissus Maximus” was integrated into the front edge of the base, thus reinforcing the conceptual message of the work; furthermore, the position of the hand was modified to optimize the gestural and visual composition. Subsequently, the forms were softened, and a primary background layer was applied, an essential procedure to prepare the piece before the molding process.

Finally, a mold was made using high-tech materials such as fiberglass and silicone, which allowed all the details and textures of the model to be captured precisely. The final piece was crafted in a polymeric material called “cast marble,” strategically selected to simulate the appearance and finish of a marble carving, giving the sculpture a monumental and sophisticated character. This technical and conceptual approach not only ensured the preservation of the original artwork but also allowed Eduardo Quiñones to realize his artistic vision through an innovative synergy between tradition and contemporary technology.

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Eduardo Quiñones "Narcissus Maximus"